by Len HartBenny Goodman's 1962 visit to the U.S.S.R. was an historic triumph for Goodman, his orchestra, his many fans and also for the cause of peace. After Goodman played Moscow I would suspect it was much more difficult for either 'side' of the long cold war to demonize the other. It was historic. It was the first time an American jazz or swing band had toured what was then the 'Soviet Union' at the invitation of the Soviet government. It was also the first time an American swing or jazz band was recorded in the Soviet Union. It is interesting to note that that the Goodman orchestra would be playing for an audience that was for the most part unfamiliar with the swing and/or jazz idiom. The auction reaction seems to prove that they embraced it.
Fortunately Benny Goodman In Moscow was recorded in concert and a double LP released on RCA Records. The Album is also interesting in that as of this article, no CD of the performance has been released.
Only a few Goodman 'classics' --hits of the 30's or 40s --were were included. Many were surprised that a very modern piece by Tadd Dameron was included in the program. And those most surprised were Goodman's American friends.
The 'album' features arrangements by younger band members including Tommy Newsom who was to be associated much later with the Tonight Show. Harkening back to the bands historic recordings of the late 30s is pianist Teddy Wilson, of the original Goodman trio.
Goodman himself had Russian origins, born of was born in Chicago of poor Jewish immigrants from the Russian Empire. Benny began his musical studies at age 12 at the Kehelah Jacob Synagogue.
When Benny was 12, his father enrolled him and two of his older brothers in music lessons at the Kehelah Jacob Synagogue. The next year he joined the boys club band at Jane Addams' Hull House, where he received lessons from director James Sylvester. Later he would study with the classically trained clarinist Franz Schoepp. His Jazz influences were the New Orleans clarinetists who had migrated to Chicago in such of steady work in the city's night clubs increasingly featuring many who would become jazz greats --Johnny Dodds, Leon Roppolo, and Jimmy Noone.
Benny Goodman's Classic 'Sing, Sing, Sing
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